How-Tos on Resin & Mixed Media

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How-Tos on Resin & Mixed Media

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Make Gifts with Resin & Molds

Make Gifts with Resin & Molds

When thinking of gift giving, what better way to show your love than with handmade personal gifts? And because you can make several items with resin, it's easy on your pocketbook!
6 Rookie Mistakes to Avoid When Using Resin

6 Rookie Mistakes to Avoid When Using Resin

Join Elaine to learn about 6 rookie mistakes to avoid when using resin, including accurate measuring, thorough mixing and more.
Hot vs. Cold Jewelry Connections:

Hot vs. Cold Jewelry Connections:

Patti walks you through a range of hot and cold connections so you can see which type of connection each of your jewelry designs need.
How to Use Lacy's Stiff Stuff™

How to Use Lacy's Stiff Stuff™

Lacy's Stiff Stuff™ is a favorite base for bead embroidery, especially seed beads. Here are some helpful tips and tricks to making the most of this material.
How to Create a Resin Pendant

How to Create a Resin Pendant

Create a framed resin pendant—like a window into another place or time—using photo-illustrated instructions by jewelry-making expert Tammy Honaman.
How to Use Gilders Paste®

How to Use Gilders Paste®

Gilders Paste is a professional wax-based medium that can be mixed and layered for an endless color palette that won't fade. Learn how with this informative article.
EnviroTex® Jewelry Resin

EnviroTex® Jewelry Resin

EnviroTex® jewelry resin is ideal for filling bezels and molds with shells, beads, paper and more. Learn how to use it in your designs with this instruction guide.
Bead Soup Mosaic

Bead Soup Mosaic

Mixed media artist extraordinaire Lisa Pavelka shows you how easy and fun it is to create a mosaic by placing beads in Apoxie® Sculpt, the jewelry clay that is also an adhesive.
Fimo® Professional Clay

Fimo® Professional Clay

Follow along with award-winning artist Lisa Pavelka to create an iridescent image transfer pendant in this step-by-step jewelry project.
How to Use Resin in Open Settings

How to Use Resin in Open Settings

See how you can use Magic-Glos® UV resin in open, backless jewelry settings to create layered collages as prominent mixed media artist Lisa Pavelka walks you through this step-by-step jewelry-making project.
Layered Collage with Magic-Glos®

Layered Collage with Magic-Glos®

Renowned mixed-media artist Lisa Pavelka shows you step by step how to make this steampunk pendant using a bezel setting, texture stamps, polymer clay and Magic-Glos® resin.
Designing with 2-Part Epoxy

Designing with 2-Part Epoxy

2-part epoxy is a versatile medium. Not only is it a glue that will join two things together, it can be molded, shaped, textured and used to create stunning designs.
Collaging with Foil and Resin

Collaging with Foil and Resin

Create a fun collage pendant with craft foils on polymer clay and jewelry resin (Magic-Glos® UV resin) as you follow along with step-by-step instructions by prominent mixed media artist Lisa Pavelka in this jewelry-making tutorial.
How To Use Resin

How To Use Resin

Love the look of resin, but aren’t sure how to get started? Tammy Honaman demonstrates the beginning processes of resin in this video tutorial.
Create Your Own Crushed Stone Inlay Jewelry

Create Your Own Crushed Stone Inlay Jewelry

Make your own gemstone inlay pendant by watching this quick how-to video.
Mod Podge® and Other Surface Sealants

Mod Podge® and Other Surface Sealants

Looking for a surface sealant to use on your jewelry projects? Watch as Chris explains some of the most popular jewelry sealants to help you get exactly what you need.
How to Cast Resin Pendants

How to Cast Resin Pendants

Casting with resin is easy and fun with flexible, silicone molds. Learn how to use these faceted molds to create personalized three-dimensional drops, pendants, wire-wrapping elements and more.
How to Use Molding Compound

How to Use Molding Compound

Want to make replicas of some of your unique stations or duplicate hard-to-find vintage buttons.? Learn how to use molding compound to recreate even fragile items.
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